Hello All,
I really would like to take the time to thank everyone for sharing their ideas and concepts. Jerry has provided us with a great exchange!
Hi Manfred,
I really would like to give a special thanks to you for a wonderful discourse and would like to stay in touch. Your background and knowledge is grand, and should I get back to Germany, I would love to contact, or perhaps reference students-colleagues to you for your opinion on certain matters. Please PM me.
The Japanese seem to be a class of their own...
Of this there is no debate. With the oldest standing timber frame in continuous use and the oldest sustain wood and timber framing culture in the world still going strong (with the Swiss a near second for continuous use and rustic simplicity.) I have learned more from studying these modalities (Chinese, Korean, and Japanese) than any other timber framing forms. They are the pinnacle of the craft in so many ways.
Thank you very much for the translations. Germany and France are two countries that still has maintained a high regard and professional status for wood working in the world. Others could do so much better to follow this lead.
I can hardly imagine anyone can pay for this quality of work in a high wage country like Japan nowadays. Guess most of the building work there is done by more western standards now.
There was a time just after WWII that things became very bleak in Japan arts and crafts. Now there is a strong resurgent among many young folk to learn traditional crafts (though not as strong as many would like to see.) Cities with its modern forms of architecture is the primary focus for major metropolitan areas like Tokyo, yet there are many working Diaku - 大工 (Carpenters) of several styles that ply their trades as well. Many new homes each year area mix of traditional and modern. Some are even taking old homes (400 years plus) and converting them to contemporary dwellings. I correspond with several of them and I currently have a 400 year old Minka Farm house - 民家 I am looking to export that one of my Japanese collaborators found for us. The interest in traditional wood architecture and building methods is growing each year in Japan, as well as in China and Korea).

Common domestic home outside Tokyo by a contact Diaku of mine.

Close up of front enterance.

Close up of mail box.

View from living room. Note hand tooling on major timbers are all done with a Chouna - 釿 (type of hand adze.) Walls inside and out are often plastered with a traditional cobb or lime plaster of there own making depending on prefecture (region.) His family has been active Diaku for over 100 generations (~1000 years) with a recent pasting of his Grandfather at 87.
Hello Becky,
You suggestion falls in line with some of the others that suggest salvaging some form or "metal scaffold" frame from a trailer or the related. The issue with this is they are designed for "distributed loads" not the often dyanmic "point loads" that bridges must endure. This alone will often negate them from such use as bridges, and to this the rapid degradation do to oxidation and you loose all your work of a bridge really quick. I have seen this time and again with folks getting them just for foot bridges, doing all the work (even painting them which traps the rusting rot) and only to lose the bridge in a few years. Metal and concrete bridges are not as enduring as folks often think, and seldom do "reclaimed trailers" work for more than foot bridges.
Hi Jerry,
Glad to see your still following along. Hope you find some of this of interest of use to you.
Hmmmm...tipping point, well from 8' to 12' yes, but not to much from 8' to 10'. However, if you can make do servicing the other side and taking logs or
firewood out with an 8' wide bridge then do so, as this will be less work for you to build. The funny part about this type of "king post" bridge, as once you have studied them, made a few plan and elevation drawings, you begin to see the simplicity of them. After building one, you begin to see many other possibilities that would have otherwise seemed daunting, yet really are not. The first time I saw students in their teens build one, I was very taken back and what hand power can accomplish, soon followed my time with the Amish Barnwrights.
Keep the questions coming, with whatever you choose to do.
Regards,
j