Amit Enventres wrote:Rebecca, your thought was my original thought, but then I did research and found that's not what the research says and indeed, that's not my experience either. Maybe it's because the warmed house air is dry or the temperature of the glass tends to lean towards warmer rather than colder (yes, I know they feel cold). Still, if it was the more air circulation than the more moisture than non-curtained windows would be wetter than curtained ones. I know when I cook a boiling pot of water, we get moisture, but that happens even in spring or fall. And the window I can expect some vapor on is an old single-pane.
Condensation problems can occur in either situation.
Lots of air movement = ventilation, which can evaporate condensation away if the air is dry enough.
Poor air circulation allows condensation to promote mold and mildew growth.
However, the air also carries moisture. One builder from Vermont reported that a 16 square inch air leak (a 4" by 4" or 10cm by 10 cm hole, or a 1/8" crack in the drywall that is about 10 feet long, like along a ceiling joint) will deposit something like 32 liters of moisture into the wall during the course of a winter, whereas routine vapor movement through a well-sealed wall such as drywall or natural plaster would deposit maybe 1/3 of a liter. That's a lot of water to dry out; it sucks heat away from the problem areas when it evaporates, or causes worse problems if it is trapped and not allowed to dry out. Windows, doors, window trim/frames, electrical outlets, and other wall penetrations (like recessed lighting, plumbing, etc) are notorious places to look for accidental air leaks into/through the wall. And as pointed out above, the window itself is effectively an intentional break in the wall, with greatly reduced insulation value in most cases.
Warm indoor air may be relatively "drier" than outdoor air, but it still carries added moisture from our breathing, cooking, showers, etc. If it hits a cold-enough surface, it will condense, and deposit that moisture on its way out. This causes problems especially when walls and windows are detailed carelessly, and the most vapor-proof layer is on the cold side of the wall. For cold climates, the most vapor-proof layer should be on the interior, to stop air leaks that can carry moisture further into the wall. If the wall gets wrapped in an exterior, vapor-proof membrane that gets really cold, any moisture migrating through the wall /curtain systems will tend to condense as it hits this colder membrane, and can drip down and cause major problems inside the wall or behind the drapes.
The critical temperature for condensation is the "dew point." The outdoor air's dew point is available in
local weather forecasts and reports; wunderground.com or NOAA forecast sites have this complete info.
If any part of the wall is below the dew point, including the window glass, that's a likely point for condensation to occur, and keep occurring.
Because warm air holds more moisture than colder air, we feel that winter air indoors is very dry. But that warmer indoor air can be picking up a little more moisture, and may have a slightly warmer dew point as it hits the glass or insulation wrap than outdoor air. Breathing in and out tends to release lungfulls of air that are nearly saturated with moisture, at body temperature, which can dehydrate a person and hydrate the indoor air pretty dramatically in a tightly-built house. Just like a carful of teenagers, fogging up the windows on a cold night.
Vapor barrier on the inside, breathable insulation on the outside, is one approach to avoid condensation in winter. (In hot, humid summer climates, you may have the reverse problem in summer however.)
Using 'breathable' materials throughout, and allowing sufficient ventilation behind drapes to evaporate condensation away is another approach. This can work well in moderate climates - say, where outdoor temperatures are more likely to stay above or near freezing, not tens of degrees below.
In colder climates, if you are trying to dry your windows by air movement, you will definitely notice the "drafts" of cold air scooting out from under the curtains, chilled by the work of evaporating the moisture as well as by the cold glass. And in very cold climates, you may be unable to avoid condensation or even ice/frost on windows that are at outdoor temperatures while exposed to warmer, moist indoor air.
If you do have multiple vapor-proof layers, like double paned glass or plastic wraps, one common method is to carefully seal the whole thing against air leaks, except for a tiny weep hole at the very bottom. That allows initial condensation to drain out, while not encouraging a lot of new moist air to circulate in and cause problems.
I liked this article on insulation and buildings called "001:The Perfect Wall" that lays out the optimal layering for cold climate homes and buildings.
https://buildingscience.com/documents/insights/bsi-001-the-perfect-wall
Unfortunately, most of us don't live in homes with perfect walls, and the options for insulating outside of windows, yet allowing light in throughout the day, are limited. Insulating shutters are the solution that is most likely to help with condensation concerns in theory, but also may be least convenient in practice.
Exterior storm windows are also pretty effective if done well. The effort is changing them out twice a year, instead of daily opening and shutting of shutters. I've lived in homes where "storm windows" were left up through the summer and year round for some years; it didn't seem to hurt anything, although it's good to be able to take them down when they need a wash, or if you want to swap them for screens and open windows for a cross-breeze in summer.
One of our neighbors has made insulating "window covers" using panels of foam, pretty fabric, and a smaller section of clear vinyl. In summer they have big picture windows on all sides of their
cabin.
In winter, the windows appear as panels of cozy nature prints with round "portholes." They seal down the edges with gaffers' tape to prevent air leaks to/from the cold outer windows.
Another bonus science fact: It's not just the R-value of materials, but the value of trapped air between layers, that makes window treatments effective. Each surface layer (fabric or plastic or glass) traps a layer of "entrained air" on both sides, so even for a thin cotton sheet or piece of cheap glass you can be looking at R2 or better per layer. A doubled sheet or tablecloth - two layers of thin cotton, or even lace - can give you better performance than a single layer of thicker fabric. And thinner fabrics are usually easier to wash and handle, at least compared with the really heavy upholstery and velvety type fabrics.
One of my favorite old window systems is lace curtains near the glass, with heavy drapes available for night time.
I imagine one of the best-functioning classic window treatments is that style with a box or swag over the top (think Southern mansions and the White House). Allow enough extra fabric to let the drapes contact the walls along both sides, weight the bottom but leave a very small gap by the floor. This would stop most of the air movement at night when the windows are coldest, while still making it easy to air things out during the day. I don't live in a house this fancy, but it seems like one of those lovely things that is probably almost as functional as it is beautiful.
White lace or liners reflect a bit of radiant heat in summer, provide privacy, and (if you use the right materials) can be easy to wash or bleach if needed to remove stains or flyspecks. (Bleaching need not involve chlorine, you can use sun-drying after a good wash, or an oxygen-type bleaches like peroxide if you really need it after a mildew incident.)
To go to the other extreme, oiled paper or parchment used to be used in rural cabins/homes where glass was too expensive or delicate to ship. I've seen some modern artwork making translucent membranes from fungi, starch or rice paper, or other forms of dried goo that could easily make really beautiful, translucent window treatments if you want a compostable option for an all-natural built
art project.
(I would be careful of the fungi-based materials if your climate is prone to condensation problems however.)
-Erica