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Tony Hedgewolf

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since Jan 23, 2013
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VΓ€sterbotten, Sweden
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Recent posts by Tony Hedgewolf

Well, it happened and I'm incredibly flattered...
Our illustrious (and industrious) leader, R Ranson commissioned me to make a little Turkish spindle.

Weighing in at a sprightly 26g, I really enjoyed spinning a small test cop on it. A rather speedy wee thing, it's made from reclaimed Oak and Teak, matched up to a locally-grown Birch shaft. I hope it will make its new owner very happy!

1 year ago

H Uilis wrote:Those are amazingly beautiful!!! I am sending this straight to my better half and asking for some for my birthday.

Thank you 😊 I look forward to the moosage!
1 year ago

Wendy Boardman wrote:What a wonderful talent you have. We have much in common, I am a self taught spinner of alpaca & any natural plant fiber I can find. πŸ€—. In the beginning, I couldn't find any local tools to use. So I made them myself. It was very interesting research , I have learned a lot. Your spindles are a work of art. Would like to learn how to use the kind with the 'wings' or criss cross pieces.

Indeed, very similar 😁 bizarrely, the very beginning for me was when a work colleague asked if it was possible to make yarn out of her dog's fur! Thank you so much for the lovely comment too !

My wife actually made two short videos about using Turkish spindles. She's speaking Swedish, but it's quite easy to follow what's going on anyway. I'll try to add links to them here...

If that worked, the first is about starting to spin, the second is about plying from the ball. This is one thing I love about them; they give you a centre-feed ball, so plying is easy, just find both ends, reattach them to the spindle and go for it 😊

If the links don't work, our channel is called 'Fam Chelonia'. Interesting fact; my craft business is named Chelonia (the taxonomic name for tortoises, terrapins and turtles), because my first childhood pets were tortoises.
1 year ago

John Duffy wrote:Tony, your tools are beautiful! Even if I didn't know anything about wooden tools, your passion for quality would still be blatantly evident. What is your favorite wood to work with? Wood is so soothing to work with

Thanks so much! I absolutely believe in quality; my most prized possessions are tools which were made before rampant capitalism and the concept of 'planned obsolescence'. I know my lifetime guarantee means taking responsibility in a way that is quite alien to people these days, but that's why I'm a Permie πŸ˜‰

I can't really say that I have a favourite wood, each has its own properties which work in different settings. When we moved here from England,  I realised how spoiled for choice I had been before. There are so many species that it felt like the work of a lifetime to learn them all!
Here in the north of Sweden the choices are much more limited; locally we have Birch, 'Goat' Willow, Aspen, Alder and Rowan, as well as the two conifers, Spruce and Pine.

A lot of my crafts make use of Birch; it has a straight grain, some flexibility and is reasonably dense. All my spindle shafts are made from it.
The 'wings' of the Turkish spindles benefit from higher density, so the woods for those are often salvaged from second-hand shops (Oak or Beech, which grows in the south and is found in old chairs and beds)

This far north, everything grows quite slowly, so the Willow for example has higher density than I expected. It also tends to have lovely colours and takes wax polish very well. You can see that on some of the support spindles (like the 'bunch' in the steel cup)

I hope that little ramble gives some insight into my strange world!
1 year ago

John Dunlap wrote:Beautiful work. I was just wondering what kind of lathe you are using. I don't really have time to learn a new craft at the moment, but you've given me reason to find some. It's a bit out of my wheelhouse, but I'm just going to have to make a Turkish spindle now.

I'm using a rather beaten up Clarke wood lathe (CWL20 RV to be exact) It's not as precise or fancy as those used by most spindle makers, but it's the workhorse I'm used to and I kind of enjoy the challenge of figuring out how to get the best from its limitations.

I also have a medieval-style pole lathe which I want to start using more in the future.

I highly recommend making yourself a Turkish spindle, they're such a great design. If you want to drop me a moosage, I'll happily share tips about proportions and things.
1 year ago

Cate Weaver wrote:Your tools are lovely!  So functional yet beautiful.
Other suggestions (for diversification into weaving tools):
a weavers sword
backstrap spacers
tapestry beaters
small shuttles

Thank you so much !

If you'd like to post some pictures of what you have in mind (either here or in a purple moosage), I'd be delighted to expand my repertoire πŸ˜ƒ
1 year ago

Stephanie Meyer wrote: much are you charging for things like the drop spindles and what does shipping run to North America ?

The Turkish-style drop spindles (my personal favourite to use) are made from wood, bone, antler and combinations of those. The lightest I've made so far was 19g and the heaviest around 50g. My favourites are around 30g.

Prices range from 500kr for an all-wood one up to 1200kr for a custom decorated, large bone one. All are fitted with Birch wood shafts.
Postage is of course extra and generally comes to around 200kr

I check the exchange rates each time I get an enquiry and today that means a basic wood Turk would cost $84 US inclusive.

Thanks so much for all the lovely comments by the way!
1 year ago
You're welcome,  always happy to help!

I'm not sure the crank shape makes any difference, but I'll gladly be told otherwise. The modern wheels I've looked at just have a stud embedded in the face of a disc (have a look at the Louette on which I modelled my 'Frankenwheel')

These old wheels only applied power on the downstroke, so your leather cord would have worked fine, with the wheel's momentum carrying it over.
No problem if you're treadling like crazy to get lots of twist into thin linen, but for a more leisurely experience, my first modification was to fix a solid footman with very little play and extend the treadle plate for a 'heel and toe' action, which applies a bit of upward power as well. Of course, that means the axle needs to be well secured in place as well; new solutions bring new problems πŸ˜‰

As for the axle, I'd be inclined to clean out the opening and consider using good epoxy cement for a permanent fixation. If you're trying to be more sympathetic to its history, perhaps hide glue and freshly cut wooden wedges?
1 year ago
What you've got there looks a lot like the old flax wheels that turn up around here (northern Sweden) quite often.

I've picked up a few and worked on making them useable, with varying levels of modernisation. If we lived nearby, I'd be delighted to help get you started. As it is, I can offer encouragement and advice as you go along.

I've added pictures of two of my recent projects: they started as a pair of identical (almost destroyed) wheels. One has been returned to almost original style, with a larger orifice grafted onto the original flyer.
The other is now my favourite; I wanted a large capacity and more compact style, so I used the parts to build a Louette-type wheel and made a complete bobbin and flyer from scratch.
On both wheels, all the original parts are blue and the rest I've made myself.

I could ramble in, giving all the tips I learned from these adventures, but don't want to hog the space and of course you're very welcome to send me a moosage any time 🀠

I haven't had an axle come loose like that, but all the wheels I've seen here have been dry-fitted, or with the occasional dab of hide glue, so it's not unexpected. If you have engineering skills, apply them with care and you'll be fine.

1 year ago
Greetings from the frozen north of Sweden!

First, apologies for the unpolished appearance of this post. Despite getting lots of great advice from some of the lovely admins here at Permies, I'm still a lot better at making tools than I am at understanding how to code!

So, onto what I DO understand...

Some years ago, I started getting interested in spinning and working with yarn, but lacked the basic tools for learning. Being a lifelong fan of self-reliance, the obvious thing was to make the things I needed, in the style I wanted.

After a few false starts, I was happy with what I'd made and so were my friends. Now, roll forward a handful of years and these little devices are becoming an increasingly important part of my journey into full self-sufficiency. I'm proud to say that the items you see here are now in the hands of people in Sweden, England, Australia, North and South America, Canada and Singapore.

My workshop is off-grid, with electricity provided by a combination of solar, wind and human power.
All the materials I use are locally grown, sustainably hunted and/or recycled. I even have a certain amount of naturally-shed antler, for anyone who likes the aesthetics but not the hunting.

The pictures that follow are a small sample of my recent work. I also make other things, some of which can be seen on my instagram page.

Everything is made to order and comes with a lifetime guarantee. If anything with my mark is broken or fails to perform as expected, I will repair, replace or refund it without question.

Just drop me a purple moosage and tell me what you're after!
General questions should go here in the thread, so others can get the answers too of course.

I also enjoy a challenge, so if you think of anything you'd like made, let me know 🀠
1 year ago