Inge Leonora-den Ouden

P Colvin wrote:Soft enough for clothing or undergarments?



https://lampoonmagazine.com/cattail-fiber-textiles-from-wetland-plant-restore-dutch-peatlands-iris-veentjer-studio-rietgoed/

This article they make clothing with it, but there's not a lot of detail how they get it to spinnable stage.

...

I follow this project since the start, but to me it looks more like an experimental art project than serious research to find out how to make usable textiles from cattails.
In the article mentioned here there's a photo, looking like underwear, but I can't find that on the website or instagram of Rietgoed.
All they produced were swatches and artistic show pieces. They go to international shows, give lectures and workshops, maybe then they explain what exactly they are doing, but it isn't clear from their website and instagram.

In the comments of the youtube video I wrote about that bush with the sour yellow fruits. I'll tell it here too: that's a Japanese ornamental quince, Chaenomeles japonica. The fruits are sour, but I pick them (October) and use them to make jam, with a lot of sugar.

r ransom wrote:...
I think a lot about browns.  If every paint has hue, saturation, and value, where does brown live?  I often think of it as purple-orange, but I'm pretty sure that isn't right.  If the area is dark enough, I seem to be able to fudge browns and just add orange to darkness.  

I wonder if the idea of brown is too wide?  It can be any colour, or all of them.  Now, I experiment with plopping lots of colours in that part of the painting until it's dark enough and hope.  Sort of mixing on paper.  But I don't know yet.

I don't think there is one colour 'brown'. There are many browns and brownish colours.
You probably know the 'colour wheel'. If you mix two opposite colours from that wheel, but not in exactly equal amounts, you'll get a brown.

I like mixing watercolours. For many years now (even decades) I only have the 'primary' and 'secundary' colours. Everything else I make by mixing two (or sometimes three) of these. Often I don't get the colour I want, so I go on adding some more of this or that ...

When I bought a new set of paints I first did pages full of try-outs of the different mixes.

Nicole Alderman wrote:

Inge Leonora-den Ouden wrote:
I need to make a photo of my journaling materials, and the bag/pouch they're in.

I'd love to see pictures! I think the organizing of this stuff is half the battle to nature journaling.

Here are the photos. If my description isn't clear ... Please ask your question.


Bag made from recycled materials. Frontside. (Sometimes I put a map in the transparant plastic front flap).


Backside. The black straps with velcro can be used to fix the bag to the handle-bar of my bicycle. Or 'velcroed' together as a shoulder strap.


Bag with flap and zipper open.


Everything that was in the bag. Still in plastic bags (to protect from the rain).
From back to front: Journal, art materials, sit mat (I made of parts of an old rain poncho and a felted wool sweater)


The art materials: roll pouch with brushes, small clips (can be used to prevent the paper from moving in the wind, or other uses), pens/pencil in black pouch (repurposed from sunglasses), foldable water container (bought at pet shop), 'rags', palette with watercolour paint.

Nicole Alderman wrote:Inge, your journal entries are so beautiful! They are such an inspiration, and such a delight to look at!

Thank you Nicole.

I need to make a photo of my journaling materials, and the bag/pouch they're in.
I can tell you: the watercolour sketchbook is the biggest thing in the bag.
I have a small plastic watercolour palette with 7 colours in it (I filled from tubes, Daniel Smith, the best watercolours I know).
Three watercolour brushes: 1 flat large (1 cm width), 1 pointed medium and 1 pointed small.
1 pencil I use for the first sketchlines and 1 permanent ink fineliner for drawing lines and writing (I do have more pens with me, but they're not really needed).

The first page I showed, with the insects in Spring, I made at home using coloured pencils.

I also have a 'sit mat' in the bag. But if possible I take a (Helinox) camping chair with me.

There's plenty of Good King Henry growing in my allotment garden (it was planted there by someone who rented it before me). So It's growing there, but I hardly do anything with it. That's because it's fibery, tough, and there are other plants (even 'weeds') growing there that have a much better taste.

But now I see here something interesting: put a black bucket over it before it starts growing. That's an experiment I want to do!
I hope I won't forget. And then (next Spring) I can show you photos and tell you more ...

Before this year started I bought myself a luxurious watercolour sketchbook. The idea was this would become my Nature Journal. I thought I would draw/paint a page in it at least every week ...
Okay, maybe once a month ... Anyway: I did paint a few pages in it. And there's still plenty left for next year!


Spring. The tiny creatures enjoy the warm-ish sunny weather.


An old oak at the edge of the nature reserve near Mantinge (Drenthe, NL).


Serviceberry tree in full bloom. Springendal in the region Twente (close to the German border in NL).


'Old arm' (cut-off meander) of the river Vecht near Vilsteren (Overijssel, NL).


In my back yard.


Old farmhouse (Saxon style), oak tree and fence in the village of Meppen, Drenthe.

Stephen B. Thomas wrote:...
Sorry, y'all. Using baby white pine and Douglas Fir for these. All the stuff I've felled for this project is found on the acre I'm stewarding.

Okay, all from the acre you're stewarding...  If you plant some Willows now, and feed them your 'willow candy', in a few years you'll have the new willow branches you need to replace the Pine/Fir when you repair your roof.

a Dutch door! Yes, I think that's really Dutch (I mean: from this country where I live). Old houses (not only farmhouses) have such doors. When you ring the bell (or knock) the person inside opens only the upper half.

What I wanted to say was: why all 'staples' together in one bed? I think a polyculture can have one staple together with some other vegetables. Maybe a combination of leafy vegetable, root vegetable, fruit vegetable, edible flower together in one bed?