Kara Ann wrote:can you comment on how you overwinter your pigs? Shelter? How do they do with long stretches of cold rain?
r ransom wrote:Also, how do soft pastels hold up to nocturnes? Are they too pale to do a convincing nighttime scene?
r ransom wrote:
The other day, a parcel came wrapped in some dark, stiff paper. For some reason, I instantly felt this would be ideal for drawing charcoal, pastels, or maybe oil pastels.
...
Would this work?
My idea is to use softer pastels to smudge a background layer, then firmer pastels for details, then pastel pencils for most details and defining edges.
r ransom wrote:Beautiful fleece
It's not a breed I've worked with, but from the photos, it reminds me of the older (pre-down) sheeep. The main quality these breeds had over the sheep that come later is that one sheep can have all the types of wool.
The wool around the neck would be for clothing that touches the skin. Sides would be good for outerwear. Legs might have long guard hairs (like coarse human hair) that can be separated for rug warp and the remaining wool be good for rig weft.
It's often sorted before washing.
Or, be like me and blend them together and see what happens.
But it's difficult to tell from a photo. I could be wrong.
It could be duel coated.
Does your local library have The Fleece and Fibre Sourcebook? That helps show the different styles of wool sheep can make.