Leigh Tate

author & steward
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since Oct 16, 2019
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Biography
My dream has always been to live close to the land. My goal is simpler, sustainable, more self-reliant living. In 2009 my husband and I bought a neglected 1920s-built bungalow on 5 acres, which we've gradually built into our homestead.
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Southeastern United States - Zone 7b
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Recent posts by Leigh Tate

Experiment #1.

Here's the photo I chose to experiment with, a sunset shot from my front yard.



The power lines kind of spoil the photo, but I could ignore them for this experiment.

Next I cropped a colorful stripy section of the photo to work with



Then in Gimp photo editor, I added a transparent layer on top of the image.



From there I used the "select" tool to make lengthwise boxes on the transparent layer, roughly the width of the color stripe on the photo.



Then it is was a matter of using the color picker to select a hue within the selection, and then using the fill tool to fill it in on the transparent layer.



Here's what I ended up with.



If I didn't know it was based on a sunset photo, I'd never have guessed. The width of the stripes was arbitrary, as was which color I selected with the color picker. I think it is about as random as I've ever done, and I wasn't even trying for random. For that matter, the colors seem anything but natural, don't they? But there they are, after sorting through a number of digital pixels.

Here's what it looks like when the stripes were repeated four times (2 across and 2 down).



And here's the pattern repeated 16 times (4 across and 4 down).



Repeating the original pic of stripes gives it a sense of balance, don't you think? And it creates a pattern.

Cropping a different section of the photo would give me different colors and a different set of stripes, as would using a different photo.

My previous methods of working with stripes was either evenly spaced, evenly balanced, or as a Fibonacci sequence. I'm pleased that this gives me another design option.  


14 hours ago

Tess Misch wrote:I JUST started weaving this past year. Love it. Hate it. But I do love it.  Is that normal?


Tess, LOL, yes! Very normal. Weaving offers so many creative possibilities, but the learning curve is endless as well.

Do feel free to post your projects and questions in some of our fiber arts forums. We have a lot of experienced weavers and fiber artists here. And maybe you'd be interested in taking a peek at Permies Textile PEP badge. I love the learning structure the badge offers, along with learning a variety of new skills.
1 day ago
Jill, that's a great idea. I'm starting close to home with my photos, but there are so many other possibilities out there. You've got me thinking about regionally themed pieces, like a set of dishtowels inspired by different areas.
1 day ago
I've made milk kefir for many years and I've both rinsed the grains between batches and not rinsed.

My first instructions said nothing about rinsing, so I didn't. They even suggested adding a little of the previous batch to the new to kickstart it.

Later I read to rinse the grains to avoid off flavors. So I started rinsing between batches.

My experience is that when I rinse the grains, the new batch of kefir is flat. When I don't rinse, the new batch is effervescent. I really prefer it like that.

I know kefir grains contain both yeast and bacteria. I'm assuming the bubbling is due to its yeast. I'm wondering if rinsing the kefir grains also somehow rinses off the yeast. But that's just a speculative guess.

What's your experience? Do you rinse or not-rinse your kefir grains before making a new batch? Does it seem to make a difference in batches? Which do you prefer?
2 days ago
My weaving goal this year is to learn more about design. That's a huge topic so I decided to qualify that goal by using nature for my design inspiration. I figure that gives me a lot of creative leeway as I explore color, texture, shapes, and patterns; and how to translate them into weaving.

To start, I chose stripes because stripes are basic and universal in the textile arts. I've been taking photographs of anything even vaguely stripe-like. What soon became obvious is that straight lines are rare in nature! Even so, I'm finding bands of color in sunrises and my landscape, which I'm counting as inspiration for stripes.
4 days ago


Summary

Drawing on her life as an indigenous scientist, a mother, and a  woman, Kimmerer shows how other living beings—asters and goldenrod,  strawberries and squash, salamanders, algae, and sweetgrass—offer us  gifts and lessons, even if we’ve forgotten how to hear their voices. In a  rich braid of reflections that range from the creation of Turtle Island  to the forces that threaten its flourishing today, she circles toward a  central argument: that the awakening of a wider ecological  consciousness requires the acknowledgment and celebration of our  reciprocal relationship with the rest of the living world. For only when  we can hear the languages of other beings will we be capable of  understanding the generosity of the earth, and learn to give our own gifts in return.

About the Author

Robin Wall Kimmerer is a mother, scientist, decorated professor, and enrolled member of the Citizen Potawatomi Nation. She is the author of Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, which has earned Kimmerer wide acclaim. Her first book, Gathering Moss: A Natural and Cultural History of Mosses, was awarded the John Burroughs Medal for outstanding nature writing. Kimmerer is a SUNY Distinguished Teaching Professor of Environmental Biology, and the founder and director of the Center for Native Peoples and the Environment,

Where to get it

Amazon US
Amazon CA
Amazon UK
Amazon AU
Milkweed.org

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1 week ago