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Summary

"The Organic Artist seeks to inspire creativity by connecting you to your wild roots. In addition to offering a wide variety of suggestions for using nature as supplies for art, this book also introduces the concepts of awareness and perception that are foundational to the creative process. Readers will refine drawing skills, as well as increase their appreciation for the visual arts and the natural landscape. Some of the projects and skills covered include the following: making paper and wild ink, working with clay and wood,  printmaking and stenciling, natural pigments and paints, crayons and charcoal, pens and paintbrushes and bookbinding sketchbooks." nickneddo.com

Where to get it?
The Organic Artist by Nick Neddo

Nick Neddo's art work from wild-crafted media

Honey Bees on Honeycomb  Nick Neddo, 2014, wild-crafted crayons made from stone and beeswax.


Hummingbird Talks to Bear  Nick Neddo, 2014, ink wash with wild-crafted black walnut ink and bear fur paint brush.

Related threads at permies

Nontoxic oil paints -- healthier, more lightfast, and cheaper?  
Cheap pigments for plaster
Making ochre pigment
pigments for lime
lime plaster: staining/dyeing

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Wild-crafted media
colors from the earth
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Location: a temperate, clay/loam spot on planet earth, the universe
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I give this book ten out of ten acorns!

The layout, photography and information are all excellent...very well written and illustrated.

I like how he explains each procedure in detail and also allows for variations.
He encourages us to experiment and most of all have fun.
There are so many interesting ideas here for adults and children alike it was hard to focus on one to try.
The crayons caught my interest first, beeswax and pigment. I have been collecting small red stones and feel like they would grind well and be a wonderful color.  He suggests japanese knotweed tubes to mold the crayons, something that can be removed easily when they are set up.  I think I can find something more local, which is something he encourages.

I love the fact that along with experimenting and coming up with step by step instructions for a diverse set of organic art supplies, he also uses them in his own amazing art work.   He even explains how to wood fire the clay vessels he makes to hold the paints.

I'm excited about this book...if anyone is into gift giving this might be 'the one'.
 
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I gave this book to an artist friend and client, without having read it myself, and I think they enjoyed it, though sometimes you don't know if they are just being polite.

So today I was overjoyed to hear your glowing review, Judith!

Now, I think another artist (or two?) might be getting this for Christmas this year...
 
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I give this book 10 out of 10 acorns.

I usually don't do a book review if I haven't read a book cover to cover... I got the copy I'm reading from our Regional Library and they just sent me a "book is due" notice. I figured that renewing the book wouldn't be difficult, but alas, all three copies are signed out and there's a hold in the queue. For a book published 10 years ago, that speaks for both the quality of the book and that there are people out there who are concerned about the toxins involved in buying commercial products (yes, I'm the type that does *not* like the smell of magic markers - yuck!)

What is very interesting is the crossover to other areas of interest. The book describes making rock pigments for paints. I've been watching a number of archeology videos and in one there was a discussion of how long rock art pigments last and why. Rock pigments are time consuming to grind, but they are rock and will essentially last forever, unlike modern chemical pigments that fade and deteriorate within a decade or less.

This book has step by step instructions for making much of the equipment you need to do art, or even just write a letter - making a quill pen, making ink, making paint brushes, making paint, making paper - it's all there. Will it be bright and splashy like modern chemical colours - not likely if you're making the easily available colours from the earth on your land. But you will be able to make beautiful art with the comfort of knowing you aren't polluting the environment.

Personally, I wish every elementary teacher had this book and had their children make their art from nature. There you may not care for longevity, so plant dyes would be fine and much easier to make than rock pigments.
 
I agree. Here's the link: http://stoves2.com
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