Some places need to be wild
Some places need to be wild
Some places need to be wild
Eric Hanson wrote:Yes, some monitors have a USB hub built right in. I have this in my monitor and I find it extremely handy. I like to be able to just sit down and plug a USB flash drive right into the monitor—it’s right there on the desktop. I imagine you could hook up a little card reader for an SD card and accomplish the same effect.
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Some places need to be wild
Some places need to be wild
Some places need to be wild
Some places need to be wild
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James Alun wrote:
That connector with the 15 pins and screws is called VGA. For what I do, VGA is a bit annoying because it isn't the most reliable. For the level you're talking about, it is actively holding you back.
Some places need to be wild
Some places need to be wild
Learning slowly...
How permies.com works
Some places need to be wild
Some places need to be wild
Some places need to be wild
r ranson wrote:This page has some great things to consider for colour grading.
https://jonnyelwyn.co.uk/film-and-video-editing/affordable-colour-grading-monitors-2/
TLDR: When you put ‘affordable’ in front of colour grading monitor, this is like saying ‘affordable luxury car’, the real deal is expensive for a reason.
...
But that is not what you are looking for when you Google “Affordable colour grading monitors”
monitors with solid colour accuracy at an ‘affordable’ price.
I would wager that *most* people who are looking to buy an ‘affordable grading monitor’, are probably not going to be trying to persuade their clients to pay them vast amounts of money per hour for their colour grading skills, founded on the promise that the display in front of them is 100% perfectly accurate. Although some may have the audacity, I think a lot of people just want to have a decent display that they can work with, reasonably confident it looks ‘pretty good’.
Notice what just happened.
In one sentence we slid from ‘total professional perfection’ to ‘pretty good’. These days, as with so many advancing technologies, ‘pretty good’ is actually very, very good.
Display Resolution – You want to be able to monitor the kind of footage you regularly work with at it’s full resolution. If you’re often working with 4K footage then you’ll want a 4K monitor. If you’re only ever delivering HD then a 1920 x 1080 monitor will do just fine. (See my 2018 update below for more on this!)
Inputs – Depending on the monitor you choose it will come with different inputs. The most common are SDI, HDMI and DisplayPort.
Outputs – You’ll also want to look at whether it has downstream Thunderbolt 3, USB 3.1 and audio capabilities as these make the monitor even more useful day to day.
(Upstream connects monitor to computer, downstream connects monitor to peripherals.)
Size of display – If you’re the only one who will be looking at the display, having a 30-50″ monster will be overkill. If clients need to be viewing it from the comfort of a sofa, having a bigger display might be helpful. Personally I like something around the 27″ mark – plenty of space to work with, but not unwieldy.
Gamut & Gamma – This is the range of colours (gamut) and luma range (gamma) that a given specification requires. For example, can the monitor accurately display common specifications such as Rec 709, Rec 2020, DCI-P3, Adobe RGB etc?
Viewing Angle – What you don’t want is your image looking different when you move your head or seat around. The image should look exactly the same no matter which angle you’re viewing it from. Most displays these days declare that they have a ‘wide viewing angle’ of around 178 degrees. Although technical specifications and real world testing can be quite different things.
Contrast Ratio – This will probably make the biggest difference to your perception of the images on display. Glossy displays tend to have a higher contrast ratio than matte displays. According to chapter 2 of Alexis Van Hurkman’s Color Correction Handbook 2nd Ed. (paraphrasing here) for an LCD display 1400:1 (glossy) or 1100:1 (matte) or better, is a good ball park. For OLED 5000:1 is a good ball park.
Black Levels – Having deep blacks is what colorists are always looking for, not muddy grey ones. Deep gorgeous blacks with plenty of detail still in them. Partly this impacts on your perceived contrast and partly it’s a sign of a good display panel. OLED panels beat LCD in this and the contrast department.
Brightness – SDR (Standard Definition) is mastered to a 100 nit brightness range. HDR is usually mastered to 1000 or 4000 nits. True HDR reference monitors are incredibly expensive. My focus in this post is on SDR use-cases.
Calibration – That you will be able to calibrate your monitor with either in-built tools, and/or an external probe and software should be an essential element in your choice. Otherwise you won’t be able to maintain the accuracy of your images over the lifetime of your monitor. (Which, by the way, will also be a moving target, as display’s performance changes as they age.)
1D vs 3D LUT – Even if your display can be calibrated the precision with which that can be achieved will be dictated in part by the complexity of the calibration LUT, which bridges the gap between the colours the display is receiving and what it should be sending. A 3D LUT is preferable for colour accurate calibration. But only a few monitors make this user accessible.
Some places need to be wild
James Alun wrote:I'm a little hesitant about recommending a TV for critical viewing, in my experience, inconsistent backlighting and poor colour rendering is the trade off for large screens for the price point.
Some places need to be wild
Eric Hanson wrote:Driver problems! That such a simple problem can cause such a headache is amazing. I probably should have recommended this to you earlier, but old drivers are frequently a problem when a computer decides to update.
Eric
Some places need to be wild
Eric Hanson wrote:Those low voltage brownouts are really hard on all equipment. I hate to say it but the monitor could be the canary in the coal mine. Even the smallest battery bank will do wonders for your equipment.
Eric
Some places need to be wild
Eric Hanson wrote:R, I know that you are on a real budget, but I am thinking about all your equipment that you purchased for video editing, especially that amazing video card. I would want to protect that investment. I personally have a battery system that will backup for something like 30 minutes. Mine cost about $100. But there are cheaper 5 minute backup batteries that basically have enough power to shut your computer down in a power emergency. These might get you through short periods of low voltage, but you know your power problems much better than me. Are your brownouts just brief 1-2 second events or do they last?
Eric
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