Hobby, crafting, or art no-buy anyone? (perennial self-accountability thread)

Happy birthday!!!

My empty gesso pot!



This is some acrylic  gesso I picked up at the dollar store for about $1.50.  I was just about to start my first oil painting and I remembered gesso is important for something.   They also sell canvases and other art supplies at that dollar store, so I thought, why not get some emergency gesso.

Well, I didn't like it.  Stiff and clumpy.  Stinks of acrylic of course.  Needed too much water to spread, then it was too drippy and needed lots of coats.  It seems to amplify each brushmark.  For some reason, I expected gesso to have mild self-leveling qualities.  Not this one.  How does runny, watered down paint leave so many brushmarks?  I think it's at least partly evil.

To make it less white, I added a bit of dollar store acrylic raw sienna.  Mixed it in as well as my attention span would allow.  Probably 2% paint to gesso.

But it is okay for practice painting  and the boards here are some sort of partical board used for packaging.  It had been sitting in the way in the shop for ages.  Instead of tossing them, I'll use them for practice.  With all the extra water in the gesso, the boreds curled so I had to paint the back with water.

It took five coats to cover the boards.   Not sure it was enough,  but it's all used up now.  We'll see.

Nina Surya wrote:Happy birthday!!!

Thanks!

It was a little while ago, but a nice, quiet day with the chickens.  For once the sheep were well behaved as they usually do everything they can to disrupt my day.

So, here's the funny thing... It would be so much easier for me to commit to a no-buy challenge for clothes, than art/craft tools/supplies. I am actually planning - and saving for a few of those, for July (at the local, interstate fiber arts conference), and I know I'll go past 5 items, just at that event. You're so dedicated, and I applaud you!!

Although about art as business in uncertain economic times, the first quarter of the video has some great thoughts for making an artist no-buy and low-buy easier.

I'm pretty sure I said that  thrifting art supplies doesn't break my no-buy.

I found this



It's about creating father than consuming and the benifits of slowing down.  Very inspirational listen

Used up three supplies from class this week.



Two notebooks with fewer than 5 blank pages and since we can use more than that in a class, I declare them no-longer-class worthy.  There's no point carrying them back and forth, so they are now downgraded to sketching and thumbnails.  Most of the pages have messy drawing like charcoal that transferred to the back of the page.  Some of the pages I used both sides.  But there are lots of little gaps and the like I can use for rough work like these thumbnail drawings on a page where I had space leftover from figure drawing.  



The other thing I used up was a 9B pencil.  It is now too short for the pencil sharpener and the lead seems to be shattered inside the pencil at the one end.  It was fine until the last half an inch or so. I haven't dropped it.  

I've bought replacement sketchbooks and pencils pre-no-buy when they were on sale as I figure I would need a backup to use if I ever forgot one somewhere.  

Review time:

Pencil: Fantasia 6-permium sketching pencils.

I bought these years and years ago.  I want to say about 12 years ago during one of my "I'm going to teach myself how to draw" moments.  I choose this one because it's in a nice tin and the pencils are 2B, 3B, 4B, 6B, 8B, and 9B (the one I used up).  The tin has a nice closure and even though I bought more famous name brands since, I find myself reaching for this tin most often.  The thing I don't like about it is the pencils are too close together in B-ness.  There's no obvious difference between 2B and 3B at my skill level.  So I'm trying to use up the 3 and 9 first so I can put a 10B and HB in there to make a kit more to my style.

The pencils themselves are nice enough.  Every now and then, there is a moment where it feels like I have grit in the lead which I don't like.  I pick out the grit with my fingernail and it's fine.  The 9B did this three times during it's life.

I like them, but I don't know if they are worth recommending or not.  I probably won't buy this brand again.

Strathmore toned sketchbook

I love this paper.  My brain does so much better with toned paper and I like that I can use white to add highlights.  I mostly use conte and charcoal for this paper and it does smudge to the back of the page making it harder to use both sides.  Sometimes I can get this on sale and I stock up as I figure I'm using 2 books a year at my current rate.  The paper has good texture on both sides and I figure I have another year worth in the house so it's time to keep a watch on the sales (camelcamelcamel can do a price watch on amazon, but if I can, I buy these locally as full price locally is usually cheaper than amazon's sales).

Fabiano sketchbook

Good paper is like socks.  One doesn't notice them until something goes wrong.  

The texture is awesome, the larger size pad a pain to carry around, but proved useful for sketching as I can stand and  use my whole arm.  

I would buy this again if I can find it.  It's crazy-expensive on amazon and seldom available locally (but almost half the amazon price when it is).  


Anyway, got a lot more thumbnails to try for these lilacs before I paint them.  These are difficult flowers to get right.  

Finished my second Strathmore tone notebook.   Again, there are some empty spaces I can use for practicing thumbnails and sketching, but not enough for taking to class or out and about.

I broke another brush - really well.

And used up another bottle of refined linseed oil



Both of these, I've reviewed upthread.

Although I am surprised how quickly linseed oil goes.  

Also, I  couldn't resist this notebook with a built in watercolour palette.



The book is a little over 2 inches square and it has a plastic mini palette that I can keep using when the book is finished.  The paper is crap, so no fancy technique.  But it works well enough for line and wash.  I filled it with some watercolour and gouache.

I've been looking for a smaller option to put in my bag as my regular watercolour setup takes too much time to get ready and put away.  This might work.

Maybe.

Oh, and it was only 3 dollars so not a terrible break of my no buy

I can't remember if it counts if I didn't pay for it myself?

There have been a few more tubes of paint trickling in, especially for class.  My tin full of class paints is getting too full.  The paint comes in faster than I can use it up and that's the opposite of my goal this year.  I have a good storage system right now, but I don't want to have so many supplies, I need to make a new system.

But the style of painting we are learning in this class uses so little paint, and so many colours.

I also bought two special tubes of paint because this project is going so well.  I'm not to going to show them just yet to keep it a surprise. They are far more expensive than I would normally be willing to pay, but it's going to make a huge difference and I will only use a tiny bit.  

nobuy is a good idea.  I enjoy reading and maybe we try it with garden seeds LOL

Seems like one paint finished and many come in.  Is it part of goal or area for working on?

I noticed that too.

Some is mandatory for class.  But a lot isn't.   Something to focus on figuring out how to use the paint I have to get the colours I need

One of my favourite nobuy art supply videos so far.  The childhood expirence with art supplies being scarce and the first moment we can buy something special.  Chasing that emotion when buying more and more supplies later can definitely lead to supply collecting rather than using.

I lost a tube of paint.  It's an 11 dollar (cad) tube, and I used maybe a dollar of it.  It must have got confused in class and didn't make it back into my kit.  Bummed out about this as it's an incredibly useful colour.

Indian yellow is a variation of an older colour. There is no standard pigment for this colour.  Each company makes their own variations and it can differ dramatically in transparency and hue (colourness).  So it makes a significant difference to the painting to change tubes part way through.

I guess it's a trip to the big city soon.  Which means impulse buying.  Was trying to avoid that,

Maybe I should get two tubes in case one goes walkabouts again.

I was really down about losing my paint.  But the universe is a strange place.  I found a tube of oil paint in the thrift shop.  It's a colour I adore,  but not one I would normally buy for myself.  It was half price what it said on the sticker.  (Regular $11 cad or 40 plus shipping on Amazon).   Hardly used.

Thrifting doesn't count towards my no-buy.

And as I wrote this a chicken came to sing a song.  You might recognize him?

Wowzers!

Going to big box craft shop on a long weekend is rough.



Credit redit from the same shop.

I checked online and they were the only shop in driving distance with the paint I sought in stock.  Of course, upon arrival, they were out.

Also, why do they lock away their paints like that?  

Ended up buying a tube of gamblin's professional line which uses the same pigment, just less filler.  In theory it will be the exact same colour, but stronger.  It certainly is more wallet damaging.

Got some basics like linseed oil and gesso.  

Most of the paints on my list, they didn't have.  The shelves were less than half full.

I may have got a box set of paints to review and play with by accident.   It's all overstimulating in there and I'm sad how big the bill was compared to what I got.

Maybe NOW I can stop shopping for supplies and go back to focusing on making art?

I lost my glasses 4ish years ago.  Well, that's mostly true.  They gave me a headache as the distortion they were correcting for has either gotten better or much worse.  So I didn't bother to look for them.  They are in the house somewhere.  I'm nowhere near needing them for daily tasks, but I admit, my long distance vision isn't what it was.  

But sometimes I wonder at the difference between what I see and what is there.  And how this influences my painting.

Another reason for going harder on the no buy. Save up for an eye examn and glasses.  This will either improve my art or not.

Also, there is a chicken in the video

July was a lot of shopping.  Some of the paints were needed for specific painting.  Others were to make up free shipping.  Some paints were because I went to a physical shop and they didn't have the colour I needed as an individual tube, but it's in this box set (only it wasn't).  And some is panic buying because the year is 2025 and american made paints are a staple of my palette so I wanted to get backup paint before price increases.  And some of it was because they were sold out of the 37ml tube, so I had to buy the 150ml tube for twice the price and if I'm buying two colours already, might as well buy the rest of the zorn palette as I'm constantly running out of yellow ochre...although I have like 10 tubes of black and hardly use any, I needed the 150ml tube to complete the set.  Oh, and this Canadian made paint company has this fancy chrome yellow and red ochre i need for the vermeer study, so I should get some backup of my most used colours (yes, 2 more tubes of yellow ochre) to make free shipping.

So much so that I also bought extra storage for oil paints.

I don't know what went wrong.





Need to reset my no-buy.  

Art supply shops can be dangerous to the wallet!

People do often have always and never colors. That pile of black tubes might make for good trade. People into pastel or high saturation colors might be delighted to trade away their ochre colors.

Josh Hoffman wrote:

K Kaba wrote:There's a lot of marketing involved with art and craft supplies, and it's easy to get caught up wanting the newest shiny thing. I don't do no-buy generally. I tend to leave "shiny" things on my list for about three months. If I still want it after that, it comes home with me. I think the last shiny I got was the kuretake granulating watercolors. They took a couple months to restock after I first wanted them, and I was still delighted to play with them when I finally could get them.

I try to hit my stash first for anything I need, and I am a-ok with restocking (glues, papers, sealants, etc) and replacing used up tools like brushes.  Supplies for classes come from the stash first, and then the education line in the budget. Thrift and estate sale stuff I treat a lot like cooking supplies or clothes, if I know I'll use it and it's at a good price it comes home with me unless the stash has plenty of it already.

I like the 3 month policy. I have a 30 day list. Everything we need to purchase goes on that list minus the things we need recurringly like food we can't grow or butcher and items needed for repairs.

Enthusiasm dies down quick in 30 days. I bet 90 days would be a better list time period.

A lot of both of these comments makes sense. I think the "cooling off period" is applicable in so many ways, allowing time to think, reflect, get more information/experience/advice from experts or friends. Rather than spending impulsively from savings, playing a mind-game of "earning the money" to make the chosen purchase, a personal lay-away plan, could confirm your intent.

I've been away from one of my main hobbies for quite some time, but have continued to collect free/salvaged materials to use for it. So, I find myself with a slightly different flavor of a "No-Buy" challenge. In some ways, it is exactly the same... use what I have on hand first. In other ways it is different... it IS already no-buy! (except for electricity, fuel, and consumables needed to create) Except that free stuff isn't totally free, when it overwhelms the space and time available. There are some things, such as metal bars and pipes which are universally useful, but other things that catch my eye and imagination "this could be a..." or "if I had one more of this, I could make a..." or "here's 1/3 of what I need to build that thing I was talking about, now I need to find the rest!" have caused me lots of problems. Space that could be a workshop is so full of "free materials", that it is all unusable. I am starting to tackle sorting through, keeping only what I still think is useful/worth doing something with.

A long time ago, a good friend tried helped me with this same problem, and he had me label with that day's date and what I planned to do with a thing. Which in concept is a way of measuring my progress/lack thereof? assigning a sort of "arrival date" to the stuff, and possibly inferring a time limit to keeping it? These older ideas/projects/materials are entangled in nostalgia, good intentions, self-identity, sunk cost, and so on...
I could really use a self-accountability-"No-Keep" strategy for new stuff, with possibly a 30 day cooling-off period, to let the enthusiasm for an idea, and the dopamine from the discovery/acquisition fade. Revisit the idea/thing and decide whether or not to "own" the thing, or let it go.

There will be no more chance to buy art supplies this month, so I went the whole of August on my newly reset no-buy.

Wait, do pencils count?  I'm going to say it didn't as mechanical pencils are for so much more than art.  The silicone grip on mine seem to desolve into goo after a few years, but that's any silicone I touch.  Something wrong with my hands?

An observation.

On a normal day, I get up early, have an extra cuppa coffee and 2 hours creative time.

When life gets in the way of this routine, I find myself looking for art supplies to buy.  Like my brain is trying to make up for the lack of crafting or art, with shopping.  Anyone else get this way?

5 more days before I can get back to my routine.  Can I resist?