Tradition is not the worship of ashes, but the preservation of fire.
r ransom wrote:
How well does learning one instrument translate to learning another?
Tradition is not the worship of ashes, but the preservation of fire.
"Them that don't know him don't like him and them that do sometimes don't know how to take him, he ain't wrong he's just different and his pride won't let him do the things to make you think he's right" - Ed Bruce (via Waylon and WIllie)
r ransom wrote:What i really like is something like the mandolin, but they are crazy expencive.
If I can learn the ukulele, is it close enough to the mandolin or lute? They have strings, so it can't be that different.
Or am I dreaming?
"Them that don't know him don't like him and them that do sometimes don't know how to take him, he ain't wrong he's just different and his pride won't let him do the things to make you think he's right" - Ed Bruce (via Waylon and WIllie)
r ransom wrote:That is such a beautiful sound.
Question.
How well does learning one instrument translate to learning another?
"Them that don't know him don't like him and them that do sometimes don't know how to take him, he ain't wrong he's just different and his pride won't let him do the things to make you think he's right" - Ed Bruce (via Waylon and WIllie)
r ransom wrote:What i really like is something like the mandolin, but they are crazy expencive.
If I can learn the ukulele, is it close enough to the mandolin or lute? They have strings, so it can't be that different.
Or am I dreaming?
M Ljin wrote:
r ransom wrote:What i really like is something like the mandolin, but they are crazy expencive.
If I can learn the ukulele, is it close enough to the mandolin or lute? They have strings, so it can't be that different.
Or am I dreaming?
I believe you can rearrange the strings and tune a ukulele to mandolin tuning. But the mandolin has four courses of doubled strings—so two of each ring out the same note at the same time. And I don’t know if most ukuleles can accommodate steel strings (which would make it more mandolin-like). Mandolin is also played with a pick which is unusual for nylon-stringed instruments. If you wanted to learn it as a step towards mandolin that might make sense.
As for lute, that is the entire family of instruments—all of the instruments above except the mountain dulcimer are lutes. It usually refers to ones with a rounded back but there are countless different kinds.
"Them that don't know him don't like him and them that do sometimes don't know how to take him, he ain't wrong he's just different and his pride won't let him do the things to make you think he's right" - Ed Bruce (via Waylon and WIllie)
r ransom wrote:Any suggestions on a good book to get started?
I want to play style where the instrument is the melody and i don't have to sing. What is that called?
"Them that don't know him don't like him and them that do sometimes don't know how to take him, he ain't wrong he's just different and his pride won't let him do the things to make you think he's right" - Ed Bruce (via Waylon and WIllie)
Judson Carroll wrote:
r ransom wrote:Any suggestions on a good book to get started?
I want to play style where the instrument is the melody and i don't have to sing. What is that called?
I really like the old Roy Smeck books, but it depends on the style of music you want to play. The old guys, pre 1940 or so, all played chord melody style because that is how early jazz was played. Later, when folk, rock and modern pop became more popular, playing single note melodies became more common. Most of the Hawaiian players do both. Either way, a basic method book that shows simple, 3 note chords and basic scales is the place to start.
But.... if anyone ever needs a good mandolin book, I just published one! https://www.amazon.com/dp/B0G7XXKVHZ
r ransom wrote:For people who know how to play musical instruments, when do they play it? Or is it always just practice?
With tv, radio, and busy lives, it feels like there is very little occasion to just play music for music's sake. Or am I wrong?
If I did learn, I would play for my chickens. They put up with my terrible singing every night, so maybe they would like this better?
But what do normal people do?
"Them that don't know him don't like him and them that do sometimes don't know how to take him, he ain't wrong he's just different and his pride won't let him do the things to make you think he's right" - Ed Bruce (via Waylon and WIllie)
"Them that don't know him don't like him and them that do sometimes don't know how to take him, he ain't wrong he's just different and his pride won't let him do the things to make you think he's right" - Ed Bruce (via Waylon and WIllie)
r ransom wrote:For people who know how to play musical instruments, when do they play it? Or is it always just practice?
Tradition is not the worship of ashes, but the preservation of fire.
And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.'
-Kurt Vonnegut
This book presents 37 pieces of Renaissance guitar music transcribed for solo fingerstyle ukulele together with the author’s recordings of every transcription. Moreover, a generous introduction provides a brief history of the Renaissance guitar, tips on period ornamentation and musicianship, recommended recordings, and invaluable resources for further research of your own. Throughout Europe, the Renaissance guitar was a popular instrument in the middle of the sixteenth century. Its composers left us a treasure-trove of music, from rustic dances to chansons and elaborate fantasias. Five-hundred years later, this music fits beautifully on the Renaissance guitar’s musical descendant, the ukulele. The Renaissance guitar and the ukulele share an almost identical tuning. As the transcriptions in this book are written in standard notation and tablature, any type of ukulele, from soprano to baritone—as well as the top four strings of the guitar— can be used to play them. Most of the pieces are in standard gCEA or GCEA tuning; the seven pieces in the second section of the book, however, require low-G tuning to render the counterpoint as written. It’s also possible for guitar and baritone uke players to read the tablature provided. The music will sound a perfect 4th lower than the notation, but as there was no standard pitch in the time of the Renaissance guitar, modern players should feel no obligation to play this music at fixed pitch. If you wish to read from the tablature and sound in the same key as the notation for ensemble purposes, guitar and baritone uke players merely need to place a capo at the fifth fret. With a certain sense of historical irony, the music of the Renaissance guitar is here reborn on modern fretted instruments.
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Check out Redhawk's soil series: https://permies.com/wiki/redhawk-soil
John Suavecito wrote:There seem to be a lot of them on Amazon for $99-$199.
John S
PDX OR
r ransom wrote:How likely is this style of playing for a beginner? [/url]
This book presents 37 pieces of Renaissance guitar music transcribed for solo fingerstyle ukulele together with the author’s recordings of every transcription. Moreover, a generous introduction provides a brief history of the Renaissance guitar, tips on period ornamentation and musicianship, recommended recordings, and invaluable resources for further research of your own. Throughout Europe, the Renaissance guitar was a popular instrument in the middle of the sixteenth century. Its composers left us a treasure-trove of music, from rustic dances to chansons and elaborate fantasias. Five-hundred years later, this music fits beautifully on the Renaissance guitar’s musical descendant, the ukulele. The Renaissance guitar and the ukulele share an almost identical tuning. As the transcriptions in this book are written in standard notation and tablature, any type of ukulele, from soprano to baritone—as well as the top four strings of the guitar— can be used to play them. Most of the pieces are in standard gCEA or GCEA tuning; the seven pieces in the second section of the book, however, require low-G tuning to render the counterpoint as written. It’s also possible for guitar and baritone uke players to read the tablature provided. The music will sound a perfect 4th lower than the notation, but as there was no standard pitch in the time of the Renaissance guitar, modern players should feel no obligation to play this music at fixed pitch. If you wish to read from the tablature and sound in the same key as the notation for ensemble purposes, guitar and baritone uke players merely need to place a capo at the fifth fret. With a certain sense of historical irony, the music of the Renaissance guitar is here reborn on modern fretted instruments.
It sounds perfect, but is it possible?
"Them that don't know him don't like him and them that do sometimes don't know how to take him, he ain't wrong he's just different and his pride won't let him do the things to make you think he's right" - Ed Bruce (via Waylon and WIllie)
Judson Carroll wrote:Don't forget used instruments - check pawn shops, thrift stores, charity shops and online.
Douglas Alpenstock wrote:Vancouver Public Library lends musical instruments, including ukeleles.
M Ljin wrote:
r ransom wrote:How likely is this style of playing for a beginner?
This book ..., the music of the Renaissance guitar is here reborn on modern fretted instruments.
It sounds perfect, but is it possible?
When I started learning guitar, it was mostly one-note melodies at the same time as learning chords. Later on I used an old book which taught lots of English country dances, renaissance music, etc. I think it is very possible.
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